The Giant Mechanical Man
A Movie about Postmodernism, Struggle & the Power of being Genuine
I usually experience the abrasive reality of postmodern
life during the Subway’s rush hour.
You see, at my previous employment, the commute
from my house to the Upper East Side was utter agony. I’m the official “Priestess
of the Non-Morning People Population,” (that’s a mouthful, I know) but I would
attempt to unglue my body from the bed anyways.
When I boarded the overcrowded train, my lethargic
brain had difficult time processing information. I couldn’t read. I couldn’t
mumble Tehillim. All I could do was slink my body against the train’s door and
examine my fellow commuters. Who are these people? As a writer, I yearn to know
another’s story. Why is he dressed like
that? What country is she from? How did that couple meet? What is he reading on
his iPad? I will never know their story. They will also never know mine.
On 14th Street, I switched trains. Yet
prior to switching trains, I had to walk through a tunnel. In this tunnel, an avalanche of humans would overwhelm me. Immaculate
Wall-Streeters, scruffy hipsters, bleary-eyed college students, the ancient,
the babes, the beautiful, the ugly…
We throb with a harried heat; rushing and pushing
against each other. Wait…Where are we rushing to again? To the jobs that we
despise? To the salary that’s laughably low? Or ridiculously high?
It was during these moments that I felt paper thin
and miniscule. Men and women scurry and glance through each other. Didn’t
you know? Us humans aren’t worthy of kindly eye contact. iPhones are. Kindles
are. Macs are. Oh and if we have a spare minute, we’ll cast one to our friend
too.
This notion prompts me to write a review about a
film that brings an element of warmth to our otherwise oppressive modern
existence. I discovered the better of two worlds (escapism and intellectual nourishment) in the
Indie flick “The Giant Mechanical Man.” This Tribeca Film came out in April
2012 and was added to Netflix “Instant Play” quite recently.
The movie includes two central characters Janice (played by Jenna Fischer) and Tim (played by Chris Messina), who
attempt to overcome alienation and solitude in a postmodern world. They’re in
their 30s and can barely hold on to a meaningless job. They struggle to feel a
sense of belonging and understanding. Janice has a sister who constantly belittles
her (albeit with good intentions) and tries to set her up with Doug Duncan, a
successful yet terribly cheesy author. His book is called “How to Have Winning
Conversations” and he’s the type of person who always chants “Think Positive!
Think Positive!” Tim experiences his own misery when his girlfriend leaves him
because he lacks ambition.
Predictably—this is a movie after all—Janice and Tim discover each other. The reason
their relationship is successful is because they allow themselves to be raw and vulnerable. In a society, where individuals
are susceptible to being cold, competitive, and masquerading a sense of happiness,
Janice and Tim are self-aware and genuine. They are able to access their
emotions—even if their emotions include despair.
In addition, the dialogue in this film is natural.
This is due in part to the script and in part to the acting skills of Jenna
Fischer (a character from “The Office”—Holler Pam Beasly!) and Chris Messina. Part
of natural dialogue is stilted awkwardness and characters’ insecurity, yet that
is what makes it relatable. As we
know, conversations on Planet Earth are a medley of uncertain pauses, lingering
sentences, and comebacks that come too late. “The Giant Mechanical Man” is truly
able to reflect this trait.
However, more than the natural dialogue, excellent
casting, humor, and heart-warming romance, I applaud this film for embracing the inherent plights of
postmodernism. “The Giant Mechanical Man” not only validates the alienation that
is inherent in 21st century living, but also allows us to believe that
we can genuinely find ourselves and
others. Maybe even on the NY Subway.
Below is a trailer of "The Giant Mechanical Man." It does NOT do the movie justice at all. Keep that in mind!)
Ah, movies. Love 'em.
ReplyDeleteI actually like Chris Messina - he's currently in "The Mindy Project," and I find his old man-nerdiness to be so endearing. I'm like that.
Yup! I like Chris Messina too. And in this movie he's excellent. I've seen him a few times on the Mindy Project too. There IS something that's very endearing/appealing about him. Old-man nerdiness? Lol.
ReplyDelete